If I had paid more heed to the US government’s strident security alerts about Bangladesh, I might have been more concerned about the dead, decaying body lying at my feet. Thankfully, any fears proved unwarranted for travelers on the latest stop of the art-world’s global itinerary. In this case, the mutilated carcass, aka Lost and Found, 2012, was Pakistani artist Huma Mulji’s submission to the group show “Mining Warm Data,” a feature of the third biennial Dhaka Art Summit. Stitched together from decomposing animal hides, Mulji’s man invoked the brutalized bodies that are too-frequently discovered in Pakistan’s sewage system.
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